Course Curriculum
Introduction
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Drawing in Perspective (from Getting Started)
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Hand-Drawn Camera Movement - Part 1
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- 0) 2D over 3D? Why? (16:11)
- 1) Let's Make a "3D" Swarm (Assignment / Demo) (17:48)
- 2) Remember This when Making Arcs in Perspective (3:15)
- 3) My Camera Movement Methods (14:03)
- 4) Guide to Buying A DSLR Camera (32:47)
- 5) Focal Lengths Explained (16:44)
- 6) A Simple Exercise for Learning Vanishing Points / Focal lengths (8:24)
- 7) Spatial Vs Screen Movement - This Changes EVERYTHING! (20:35)
- 8) The Essential Principles Of Parallax (14:46)
- 9) Example File - Chad Rivera (20:16)
- 10) A Simple Exercise for Learning 3D Rotation (18:10)
- 11) Which Camera Move is the Hardest?? (2:40)
- 12) Multiplane Vs Frame By Frame Technique (16:13)
- 13) Example File - Hey Tim (15:16)
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Hand-Drawn Camera Movement - Part 2
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- Window Jump 1 - Crazy References That Inspired Me (13:55)
- My "Corridor Experiments" Reveal How Parallax Works (22:12)
- Window Jump 2 - Trucking, Panning, Pedestalling - All at Once! (12:18)
- How the "Rapid Dolly In" Works (9:23)
- Window Jump 3 - Rapid Dolly In (7:46)
- Window Jump 4 - Rapid Dolly In (7:58)
- Window Jump 5 - Arcing Around A Man in Freefall (8:29)
- Window Jump 6 - Give that Man a Sword! (5:48)
- Window Jump 7 - Animating Buildings in Perspective (14:34)
- Why Perspective - Warp Is Over-Powered (18:28)
- Window Jump 8 - Animating buildings in Perspective (13:52)
- Window Jump 9 - Adding The Moving Background (7:31)
- Window Jump 10 - My Secret Weapon For Natural Camera Movement (10:33)
- Window Jump 11 - Shattering Glass Fx Animation Process (9:15)
- Window Jump 11 - Summary Diagrams! (13:02)
Hand-Drawn Camera Movement - Part 3
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- Hand Drawn Camera Movement ASSIGNMENT (4:25)
- Reference Study 1 - Navigating a 3D Landscape (24:49)
- Reference Study 2 - Learning from FPV Drones (24:45)
- Reference Study 3 - Drawing the Body in 3D (18:56)
- Scene Study 1 - Violent Panning in "The Shining" (8:02)
- Scene Study 2 - Subjective camerawork in "Taxi Driver" (12:30)
- Scene Study 3 - Energetic editing in "Goodfellas" (9:30)
- Scene Study 4 - Sublime set layout in "Parasite" (8:21)
- Scene Study 5 - A beautiful experience in "Mar Adentro" (11:30)
Ending
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